Lil Wayne Best Rapper Alive Download

Since proclaiming himself the "best rapper alive" on his 2005 anthology Tha Carter II, New Orleans MC Lil Wayne has been living upwardly the title. Lil Wayne has decades in the game, after rising to prominence in the Hot Boys, with Juvenile, B.G., and Turk on the Cash Money label. Present, he stands every bit one of the acknowledged artists of all time. Equally these best Lil Wayne songs show, his influence on hip-hop civilization is immeasurable. During the mid-00s, you couldn't go anywhere without hearing his free-flow, and now nosotros're counting down the Top 20 Lil Wayne songs. After all, it's Wayne's world, nosotros're but living in it.

Mind to the all-time of Lil Wayne on Apple Music and Spotify and roll downward for our best Lil Wayne songs.

25: Drop The World

Like most of Weezy's output, "Drop the World" was legendary before it even came out. Information technology's the stand-out rail on Rebirth, and non just considering it's i of the most verse-heavy cuts. Wayne'southward ascent to the top began shortly after Eminem's struggle with drug addiction got real. So when Em was back on the scene in 2009, people wondered when the two guys might collaborate. They'd never washed so before — two of the only titans who hadn't – and the event was an instant classic. "Drop the World" was the first (and peradventure best) of the 3 songs the MCs would appear on together over the course of the next yr.

24: 30 Minutes to New Orleans

To his diehard fans, Lil Wayne's ascent was defined by delays and leaks. In 2007 and 2008, y'all could get on DatPiff, SOHH, or wherever, and there'd be new Wayne music. The leaks got him a buzz like no one had ever had. Would nosotros go total versions of the songs? Mixed and mastered versions? For almost of these, the answer was no. Mayhap the most famous case was "30 Minutes to New Orleans." It showtime reared its caput in a documentary called The Carter, with Wayne rapping it on a bout motorcoach, only we wouldn't get a full version for what felt like years.

23: Georgia

"Georgia… Bush" is unique among Lil Wayne'due south catalog, but there are few songs like it in rap, menstruum. It's about similar i of those times a comedian gives an amazing performance in a dramatic role. The bars are scathing and the hook is a slam dunk. What more could you ask for? Dedication 2 was 1 of the mixtapes that propelled Wayne to new heights between Tha Carter Four and Tha Carter 3, and closing it out with this song is ane of the about show-stopping moments of Lil Wayne's career.

22: Nightmare of the Bottom

It was never an official single, just "Nightmares of the Bottom" is one of the songs that fabricated Tha Carter IV what it was. Wayne had spent the by few years cultivating this rockstar persona, and now, fresh out of Rikers, he was debuting a new song on an MTV Unplugged session. The rockstar affair was working out. "Nightmares" has a crush that makes it feel like something Wayne could have recorded years earlier, and existence sandwiched betwixt C4 's official singles makes it feel even more than standout.

21: Bug

Halfway through Tha Carter Five, it becomes clear that the look was worth it. The anthology hits the ground running, wiping away whatever dubiety after years of delay, but by the fourth dimension you get to "Problems," it's evident that Wayne is still amid the best. He reminds yous that he can still kill a hook with his menstruation, and it's so slick here that it'due south easy to miss just how expert his wordplay is. His inflection makes it one of his most existential-feeling hooks likewise.

20: I Miss My Dawgs

"I Miss My Dawgs" is a poignant song for many reasons. It'south Lil Wayne at a young age, honestly and candidly addressing his falling-out with sometime labelmates – and he'southward yet on the characterization. It was besides an early sign of the power of Wayne's elastic voice, which could bounciness from a shrill croak to a brash rasp in an instant. On 2004's Tha Carter, Wayne already had a backstory that was making him a legend.

19: 3 Peat

The opener of Wayne's near monumental album is huge. Over a Maestro beat, he raps his ass off for iii minutes straight. On Carter 3, he'd do this while as well going pop in the biggest ways, getting weird on songs like "Phone Dwelling house" and taking on personas in songs like "Dr. Carter." "3 Peat" is then impressive that it basically gives Wayne permission to exercise whatever he wants.

18: Money To Blow (Birdman, featuring Lil Wayne and Drake)

Together, Wayne, Drake, and Birdman recorded a number of tracks, most of them certifiable hits that ended upwardly on Birdman projects or Wayne mixtapes that didn't get an official release. "Money To Blow" is virtually allegorical of the Birdman lifestyle that brought all these guys together. It also boasts a classic Drake hook from his early on days and culminates with 1 of Wayne's most prophetic lyrics of all fourth dimension: "We gon be all right if we put Drake on every hoooook."

17: Make It Rain (Fat Joe, featuring Lil Wayne)

One of Wayne'southward beginning classic features comes from era that seemingly had no finish. And it'due south only a hook! Wayne was always good for a hook – it'south one of the more underrated aspects of his career, and certainly an unsung skill equally a featured creative person. A rapper and then big actualization on a track with Fatty Joe was some other sign that hip-hop was rapidly changing throughout the 00s.

sixteen: Back That Azz Upward (Juvenile, featuring Mannie Fresh and Lil Wayne)

"Dorsum That Azz Upwards" is among one of the best Lil Wayne songs – and it's non even his track. He only has a characteristic, and it's an outro. While non an example of his best lyrics, the song has become a staple of every celebration in black America and an early signifier that Wayne would exist a star. His presence lone speaks to his charisma, fifty-fifty though he wasn't even a solo act withal.

fifteen: Tie My Hands (featuring Robin Thicke)

Wayne rapped a lot nigh the impact of Hurricane Katrina and the Bush-league Administration. Sometimes he did it brazenly, but "Tie My Hands" is the opposite, cheers in part to a characteristic from Robin Thicke. His phonation is restrained but hopeful, and a bang-up counterpart to Wayne'southward (at times frantic) grief. Few rappers are tied to their city like Wayne is to his.

14: Grown Man (featuring Curren$y)

Wayne fabricated a handful of songs similar "Grown Man": laidback without quite evolving into full-on seduction anthems. He was at his most convincing in this way on Tha Carter 2, on which his fame and power were in perfect balance. After that, he got too big to kick it similar this. 'Grown Man' is archetype not just for the beat, but for the male monarch of chilling, Curren$y, getting a feature. He and Wayne have a storied career, just this is his but advent on a Lil Wayne studio track.

13: This Is The Carter

Because the collaborations between Wayne and Mannie Fresh were ultimately fewer in number than a lot of people hoped for, the highlights have come to age like fine wine. "A lot more rich and a whole lot smarter" wasn't simply true on Tha Carter, information technology was truthful three times in a row. Wayne's mumble of "finally perfect" wasn't true nevertheless, just the mode he said it, you knew it would be.

12: Get DJ

"Go DJ" is the quintessential song of the golden historic period of Lil Wayne and Mannie Fresh. If you had to bring one vocal from Tha Carter to a desert island, this would be information technology. Wayne sounds hungry, like he could have rapped on this thing forever. In some ways, he did, though the song would more than or less mark the finish of his professional involvement with Manny Fresh for years to come up.

11: Dr. Carter

"Dr. Carter" is maybe the unlikeliest success of Wayne's career. It'south not just a concept song, which, in 2008, had largely fallen out of fashion, but information technology's also exceptionally literal. On pinnacle of that, it'southward ridiculous. Only the fact that it works and is inherently charming is a testament to the charisma that found Wayne living up to the "all-time rapper alive" boast when the Young Money anthology Tha Carter III was released. (The record went platinum in its first calendar week and won a Grammy Award for All-time Rap Anthology.)

ten: Fireman

For a generation of listeners, "Fireman" was their introduction to Lil Wayne; information technology may have been their showtime time seeing A Bathing Ape gear in a music video, or recognizing the Phantom on the embrace of Tha Carter Two by name. For others, it was a moment of Wayne's noticeable transformation into a more diverse, freely associative rapper. With "Fireman," it became clear merely how much potential Wayne had.

9: We Takin' Over (DJ Khaled, featuring Akon, TI, Lil Wayne, Rick Ross, Birdman and Fat Joe)

Another DJ Khaled song ranks college than this one, merely the original "We Takin' Over," and Wayne's subsequent freestyle over the instrumental, was indisputable proof that, when he said he was the best, he was right. The sentiment of the song applied to Wayne quite literally, and "Feed me rappers or feed me beats" would be the mantra of his career-defining run.

viii: Correct Higher up It (featuring Drake)

"Right Above Information technology" came at a specific moment in time in Wayne's career: his unopposed run as the male monarch of rapdom was cartoon to a close, and he was almost to get-go his infamous imprisonment at Riker'south Isle. Kanye was poised to release My Beautiful Dark Twisted Fantasy , and Drake was getting bigger by the day. Kane Beatz was also making some of the best beats of the era, and this was 1 of them. It's one of the standout Wayne/Drake collabs that sees them being uncharacteristically jubilant but not without some venom.

7: I'yard On 1 (DJ Khaled, featuring Drake, Rick Ross and Lil Wayne

This is one of the best, if not the all-time, DJ Khaled singles, and it's absolutely vintage Drake and Rick Ross. The "DJ Khaled!" drop is nigh chilling, and it would be hard to summit a beat featuring these 3 artists at that time. But the real evidence-stealing moment comes from Wayne, who opens his poetry with i of the all-time lines of his career: "I walk around the club… f__k everybody."

6: Shooter (featuring Robin Thicke)

Wayne was ever a confident and eclectic collaborator. It'south one of the things that eventually led him to Rebirth. If "Tie My Hands" is a sobering tribute, then "Shooter" is a tiresome, seductive build to a piercing series of moments that are quite opposite of sobering. Thicke's best collaboration with a rapper, information technology's also a staunch and crawly indictment of anti-Southern sentimentalities: "If we're too simple, y'all don't get the basics."

v: Stuntin' Similar My Daddy (featuring Birdman)

Of all of Wayne and Birdman's Cash Money Records collabs, this is the virtually essential. It's got the best hook of any song they've made together – and probably the best hook of the era – and it features some of their most vintage verses. For mainstream fans more familiar with Wayne, it turned Birdman into a household name. "Stuntin' Similar My Daddy" is then big, its reputation volition probably outlive the feud that eventually undid their collaborative partnership.

four: Mr Carter (featuring Jay Z)

Tha Carter III established Wayne as one of the well-nigh important rappers of the era. It opens up with the bombastic and melodramatic "3 Peat'," every bit Wayne runs his victory lap throughout the residual of the album. 'Mr Carter' isn't just ii titans trading confined over a classically-chipmunked soul sample, however, it'south ane greatest all-fourth dimension billy passes and endorsements. Jay's presence on the song was specially significant given the duo'south history of will they/won't they feuding.

three: Lollipop (featuring Static Major)

T-Hurting and Kanye West both got famous using autotune, only it was Wayne'due south "Lollipop" that really ushered information technology into mainstream acceptability. Now information technology's a mainstay, but "Lollipop" is still 1 of the era's virtually memorable moments. It'due south lyrically sparser than a lot of what Wayne was known for at the time, but the trade-off was ane of his most earworm-y hooks and biggest crossover singles ever. "Firefighter" and the bulk of the singles off Tha Carter were smash hits, merely for a few months you couldn't go anywhere in America without hearing "Lollipop." (Literally. Information technology topped the Billboard Hot 100 for iii weeks.)

2: Hustler Musik

For those among Wayne's fans who consider Carter II to be his crowning achievement, "Hustler Musik" is perhaps most representative of a "they don't brand 'em like this anymore" beat that showcases the confidence of Wayne'due south flow. Even before he became the biggest rapper in the world, Wayne believed he'd made it.

i: A Milli

With "Lollipop," Wayne crafted one of the biggest crossover singles always, establishing the complete hip-hop domination he'd been talking about for years. If there were all the same whatever doubters, "A Milli" proved not only that he could play in the popular lane, but that he could out-rap just about anyone. The crush is an instant classic that's a perfect slam douse for Wayne's unmatched charisma. On "A Milli," he truly was the best rapper alive.

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